♪ ANNOUNCER: This program is available with Passport because of your generous donation to your local PBS station.

Thank you.

MAN: Good set, Carlos.

(indistinct chatter) (crowd cheering and applauding) ANNOUNCER: Here we got very good friends of ours and friend of yours.

Fellow Californians, would you welcome, please, from San Francisco, Santana!

(crowd cheering and applauding) ♪ ♪ ♪ CARLOS SANTANA: It's not easy to hold that many thousands of people and hold them.

You know, from the first note to the last note, and I mean hold them to the point where like... (imitates crowd screaming) Like that, you know.

♪ ♪ Searchin' ♪ ♪ I'm always searchin' ♪ ♪ Searchin' ♪ ♪ For my beloved ♪ ♪ ♪ I'm gonna keep on searchin' ♪ ♪ Till I find your love ♪ ♪ ♪ Listen ♪ ♪ My heart is calling ♪ ♪ ♪ Longing to have you near me ♪ ♪ ♪ Please believe me what I'm sayin' is true ♪ ♪ Every morning I wake up to you ♪ ♪ ♪ Every afternoon you will be too, baby ♪ ♪ ♪ Every night my thoughts return to calling you ♪ ♪ ♪ Lover ♪ ♪ Don't keep me waiting ♪ ♪ Oh no no no ♪ ♪ ♪ You must hear what I'm saying ♪ ♪ ♪ I'm gonna keep on searchin' ♪ ♪ Till I see your face ♪ ♪ I can almost hear her gentle voice ♪ ♪ ♪ I can almost hear her smile of light ♪ ♪ ♪ I can almost feel the love reach out to me ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ I can almost hear her gentle voice ♪ ♪ ♪ I can almost see her smile of light ♪ ♪ I can almost feel her love reach out to me ♪ ♪ CARLOS SANTANA: I mean, US Festival, what a name.

You know, US Festival.

Woodstock, we didn't even know.

We just- we just knew that it was- so many f- we called ourselves then freaks, were getting together to- without even knowing protesting Vietnam and status quo at that time, LBJ or whoever the heck was the president, Nixon or whoever.

So this festival for me has always been like a- a- a- consciousness revolution event, and- and that's why they're so- being talked about today.

I'm sure it was from Bill Graham.

He was always the architect of heralding new things for Santana, whether it was Woodstock or playing in front of the Rolling Stones.

This one, he- he told me that there was a- a big festival that was going to happen around the L.A. area, Sa- San Bernardino, somewhere in there and that the person who was putting it together was Steve Wozniak, you know?

And so I said, okay.

You know, I just felt really grateful that they invited us.

This one, I don't remember how we got in there.

I just remember being on stage with Herbie and- and the people, you know, responding.

(crowd cheering and applauding) ♪ ♪ ♪ ♪ Got a black magic woman ♪ ♪ Got a black magic woman ♪ ♪ I got a black magic woman ♪ ♪ Got me so blind I can't see ♪ ♪ She's a black magic woman ♪ ♪ She's tryin' to make a devil out of me ♪ ♪ Don't turn your back on me baby ♪ ♪ Don't turn your back on me baby ♪ ♪ Don't turn your back on me baby ♪ ♪ Stop messin' 'round with your tricks ♪ ♪ Don't turn your back on me baby ♪ ♪ You just might pick up my magic sticks ♪ ♪ ♪ ♪ ♪ ♪ You put your spell on me baby ♪ ♪ You put your spell on me baby ♪ ♪ You put your spell on me girl ♪ ♪ And turned my heart into stone, yeah ♪ ♪ I need you so bad, magic woman ♪ ♪ Can not leave you alone, no ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (crowd cheering and applauding) ♪ It's time to prove something, woo.

♪ ♪ ♪ Oye cómo va, mi ritmo ♪ ♪ Bueno pa' gozar, mulata ♪ ♪ Oye cómo va, mi ritmo ♪ ♪ Bueno pa' gozar, mulata ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Oye cómo va, mi ritmo ♪ ♪ Bueno pa' gozar, mulata ♪ ♪ Oye cómo va, mi ritmo ♪ ♪ Bueno pa' gozar, mulata ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Uh!

♪ ♪ (crowd cheering and applauding) CARLOS SANTANA: We all know that St- Steve Wozniak is- is pretty... there's a child in him, you know?

There's a child in him like Michael Jackson the dreams of innocence.

Creating things beyond money and beyond this and beyond that and beyond critics, you know.

And- and God bless his heart for that, because we need more.

I- it's what we're fighting right now with, the dreamers.

He's a dreamer, you know?

And he was born in here, I'm sure, you know, but he's still a dreamer like John Lennon.

And- and so God bless him for that, you know, that he could utilize what- whatever the universe puts at your feet, he's using it for the highest good.

That's- you can never go wrong with that.

♪ ♪ ♪ ♪ Night ain't no friend ♪ ♪ It's black and so still ♪ ♪ It waits like a cat ♪ ♪ Then moves for the kill ♪ ♪ ♪ Now, it casts no shadows high on the wall ♪ ♪ It's givin' me no peace at all ♪ ♪ ♪ Now you're gone ♪ ♪ The pain goes on ♪ ♪ You're so deep into me ♪ ♪ Now I'm begging to you ♪ ♪ Set me free ♪ ♪ I've got nowhere to run ♪ ♪ Nowhere to hide ♪ ♪ No way to stop ♪ ♪ Hurt deep inside ♪ ♪ That you give to me ♪ ♪ Nowhere to run ♪ ♪ Nowhere to run ♪ ♪ ♪ ♪ The sound of your voice ♪ ♪ It comes in the night ♪ ♪ It stays with me there ♪ ♪ Until the light ♪ ♪ When you say the words ♪ ♪ That you said before ♪ ♪ When you said you'd stay ♪ ♪ Then you walked out the door ♪ ♪ I can take the afternoon ♪ ♪ But then comes the night ♪ ♪ Instead I walk the floor ♪ ♪ Till the light ♪ ♪ I've got nowhere to run ♪ ♪ Nowhere to hide ♪ ♪ No way to stop ♪ ♪ Hurt deep inside ♪ ♪ That you gave to me, baby ♪ ♪ Nowhere to run ♪ ♪ ♪ Nowhere to run ♪ ♪ ♪ I've got nowhere to run ♪ ♪ Nowhere to hide ♪ ♪ No way to stop ♪ ♪ This hurt deep inside ♪ ♪ That you gave to me ♪ ♪ Nowhere to run ♪ ♪ Nowhere to run ♪ ♪ ♪ ♪ I've got nowhere to run ♪ ♪ Nowhere to hide ♪ ♪ No way to stop ♪ ♪ Hurt deep inside ♪ ♪ I've got nowhere to run ♪ ♪ Nowhere to hide ♪ ♪ No way to stop ♪ ♪ Hurt deep inside ♪ ♪ That you gave to me ♪ ♪ Nowhere to run ♪ ♪ Nowhere to run ♪ ♪ ♪ (crowd cheering and applauding) CARLOS SANTANA: The signature sound is me.

No matter what guitar I grab or what amplifier I play it through.

I can play a Strat or a Gibson or a Paul Reed.

Since I don't focus so much on chords, I focus more on melody, you know, because I think that melody is the most immediate laser to your heart.

You gotta really visit each note 'cause when you visit each note the listener will not be able to talk anymore.

This is not background music.

I have never played background music.

I- I believe that from- from the moment I was born you know, there was a- there was a inner- inner mission that a lot of people, for example w- whether it was Bill Graham or Clive Davis or Miles Davis, or Tito Puente, BB King all of them went out of their way to more than show me the ropes, you know, to actually adopt me and- and let me know with their eyes that even though I didn't think I was at that time they always said, "Walk like us.

You are a giant like us."

So being with Herbie or with Bill Graham, you know, I just always felt that I was born at the right time at the right place, and- and it just felt like a river of possibilities and opportunities was always going to carry me through and beyond most bands.

You know, we all consider Herbie, since the beginning, to be a bona fide genius genius you know, along with Wayne Shorter and Miles Davis and Tony Williams and Ron Carter.

He's in a different echelon of forward thinking, wisdom and intelligence, you know?

So for us, it was- it was a great honor that he- that he came in and sat in a- and- and just- every time Herbie sits in with us, you know, we- we- we just feel ourselves growing, you know?

I- it's like hanging around with Hawking or Einstein, you know, you just- you just- you're gonna learn something just by being around them, you know?

(crowd cheering and applauding) Thank you, I feel very grateful to see all the beautiful people and brothers and sisters in Woodstock tonight.

Your presence here.

Thank you so much for your soulful presence.

This time we'd like to share the stage with one of America's or the world's greatest musicians, Mr. Herbie Hancock.

(crowd cheering and applauding) It's called "Incident At Neshabur."

TECH: You gonna change guitars?

CARLOS SANTANA: No, I'll do it later.

I'll get it when I want to.

♪ One, two ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (crowd cheering and applauding) Thank you so much.

Herbie Hancock.

(crowd cheering and applauding) I'm very grateful that I'm a parcel of this to whatever degree doesn't matter, but I am a part of it.

That's my only thing that I like to put emphasis on as- as music or musician or an individual, is that we go back to showing all the variety that we have in the arts, you know?

Because it's- it's a little bit too lopsided nowadays and I think most people agree, you know?

Who wants to see th- three bands that sound the same?

I- it started off in Tijuana, you know?

I was dead into Jimmy Reed, Lighting Hopkins, John Lee Hooker and then, you know, like that, BB King but then at a fair, where they have- you know, they were playing Latin, what they call- back then they used to call it música tropicada, which is like music from Puerto Rico or Cuba or the Caribbean music, you know?

And all this music comes from Africa because, you know, that- that's where the slaves came, you know?

(chuckles) But see Hollywood, oh, that's a Latin lover.

Cesar Romero and Anthony Quinn and, you know, and- and- and- and- and Ricardo Montalban, that- they're Latin and that's where they came from- from Hollywood putting a tag on you or Spanish.

You could play, like, you know- And I said no, I- I- I've been through- I've been around the world a- a couple of times and- and I realize that really what I play is really African rhythms and African melodies, you know, because everything that I love really came from Africa.

I get in trouble for- for just giving due to those that gave birth to the blues.

Jadanga, Wawangi, Wahita, Dancone, Dango, you know?

I mean there's like a- there's like a z- gazillion rhythms so therefore, when I go to Africa, they- they- they claim me as the family.

I'm not a tourist because they know by now that I always tell the truth.

I- I always thank them, thank you for allowing me to make a living playing your music.

♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ Jingo ♪ ♪ Jingo ba ♪ ♪ ♪ Jingo ♪ ♪ Jingo Ba ♪ ♪ ♪ Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba ♪ ♪ Jingo, Ba, Ba, Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba ♪ ♪ Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba ♪ ♪ Jingo, Ba, Ba, Lo, Ba, Ba, Lo, Ba, Ba, Lo, Ba ♪ ♪ Jingo ♪ ♪ (crowd cheering and applauding) The US Festival, I- I remember the energy of, you know, Fleetwood Mac and The Police, and, you know, like that, and- and it was- it was beautiful, the '80s, that- that it was- it was still thriving with variety and multiplicity, you know?

The aim is always to touch people's hearts, you know?

I mean, it's- it's never been an aim for me to sell something, you know?

I- its always been the- the main reason, make people dance, cry, laugh, dance like you're at a revival and so I think that's why Santana stays relevant 'cause you're always gonna need water, hugs and music, you know?

(crowd cheering and applauding) ALEX: Thank you very much.

We'd like to do a- a new song for you, brand new song, it's called "Hold On."

♪ ♪ Don't rush me just this once ♪ ♪ I want to make this moment last ♪ ♪ Slow down the pace, there's no hurry ♪ ♪ I can't let another pass me by again ♪ ♪ Let me be the one to say when I've had enough ♪ ♪ Just let me close my eyes, memorize ♪ ♪ The way things are this minute ♪ ♪ So when you're gone I can go on ♪ ♪ So memory can hold ♪ ♪ Within it what I'm feeling ♪ ♪ Should time try fading or stealing something away ♪ ♪ Hold on, nothing's the same ♪ ♪ Tell me why I feel this way ♪ ♪ Life wouldn't be worth living without you ♪ ♪ ♪ All along I've been the pretender ♪ ♪ But now that's gone forever, yeah ♪ ♪ Nobody's ever loved me like you do, oh ♪ ♪ Nobody's broken through ♪ ♪ ♪ I got to concentrate, file away ♪ ♪ Every last detail ♪ ♪ Don't want to lose what's going down ♪ ♪ I want to remember everything I'm feeling ♪ ♪ Should time try fading or stealing something away ♪ ♪ Oh, hold on, nothing's the same ♪ ♪ Tell me why I feel this way ♪ ♪ Life wouldn't be worth living without you, yeah ♪ ♪ Oh, all along I've been the pretender ♪ ♪ But now that's gone forever, yeah ♪ ♪ Nobody's ever loved me like you do ♪ ♪ Oh, nobody's broken through ♪ ♪ ♪ Nobody's ever loved like you ♪ ♪ Nobody's ever broken through ♪ ♪ Nobody's ever loved like you ♪ ♪ Oh, hold on, nothing's the same ♪ ♪ Tell me why I feel this way ♪ ♪ Life wouldn't be worth living without you, baby ♪ ♪ Oh, all along I've been the pretender ♪ ♪ But now that's gone forever, yeah ♪ ♪ Nobody's ever loved me like you do ♪ ♪ Oh ♪ ♪ Hold on, nothing's the same ♪ ♪ Tell me why I feel this way ♪ ♪ Life wouldn't be worth living without you ♪ ♪ Nobody's broken through ♪ ♪ ♪ Nobody's ever loved like you ♪ ♪ Nobody's ever broken through ♪ ♪ Nobody's ever loved like you, no ♪ ♪ Hold on ♪ (crowd cheering and applauding) Thank you!

(crowd cheering and applauding) ♪ ♪ ♪ ♪ No one told me about her ♪ ♪ The way she lied ♪ ♪ Well, no one told me about her ♪ ♪ How many people cried ♪ ♪ It's too late to say you're sorry ♪ ♪ How would I know, why should I care ♪ ♪ Please don't bother trying to find her ♪ ♪ She's not there ♪ ♪ Nobody told me about her ♪ ♪ But they all knew ♪ ♪ No one told me about her ♪ ♪ What could I do ♪ ♪ It's too late to say you're sorry ♪ ♪ How would I know, why should I care ♪ ♪ Please don't bother trying to find her ♪ ♪ She's not there ♪ ♪ Well, let me tell you about the way she looked ♪ ♪ The way she acted and the color of her hair ♪ ♪ Her voice is soft and cool ♪ ♪ Her eyes are clear and bright ♪ ♪ But she's not there ♪ ♪ ♪ ♪ It's too late to say you're sorry ♪ ♪ How would I know, why should I care ♪ ♪ Please don't bother trying to find her ♪ ♪ She's not there ♪ ♪ Let me tell ya 'bout the way she looked ♪ ♪ The way she acted, the color of her hair ♪ ♪ Her voice is soft and cool ♪ ♪ Her eyes are clear and bright ♪ ♪ But she's not there ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ ♪ (crowd cheering and applauding) CARLOS SANTANA: Somehow humans have a need for a collective celebration, you know, and I think that they can tell nowadays when it's lip synced, you know, and when it's just- it- someone like dancing with a mannequin, you know, or when you're really dancing with someone who- who- who has lungs and a heart and- and- and is vibrant, is, you know?

I hope so anyway, you know?

I know that when I- when we play, we- we- we don't have any trappings of artificial ingredients.

We don't have smoke bombs, we don't have dancers.

We don't- we just- God bless people who do it because they- they rely on entertainment.

We rely purely on the sound of the music to assault your senses, you know?

So for us, whether it was Woodstock or- or US Festival I remember that the goal was always the same.

Touch people's hearts and make them feel that they are part of something of absoluteness.

I think that that's one of the main things that young people need to know nowadays.

Put the Guitar Hero down, put the this thing down, grab a real guitar and keep chopping at that note 'til you learn how to get inside that note 'cause once you get inside that note then you become one of us.

And one of us is an army of guitar slingers that we truly believe we can help the world accelerate a new way of thinking beyond governments and religion.

I mean, real guitar players believe that.

If Stevie Ray was here, he would tell you "Carlos is right" you know?

Jimi here- was here, goes "Carlos is right."

♪ (crowd cheering and applauding) ♪ ♪ ♪ You be you and let me be me ♪ ♪ No strings attached emotionally ♪ ♪ Wanna get a little crazy, that's puttin' it plain ♪ ♪ You got the medicine, I got the pain ♪ ♪ When you wanna feel good ♪ ♪ Just like the doctor said ♪ ♪ One good dose of lovin' ♪ ♪ It's gonna straighten out your head ♪ ♪ You've got an open invitation ♪ ♪ ♪ On that you can rely ♪ ♪ ♪ Prepaid reservation ♪ ♪ ♪ And that's the only way to fly, yeah ♪ ♪ ♪ Let's make love, the feeling is right ♪ ♪ Just passing by like ships in the night, yeah ♪ ♪ Do you wanna get a little friendly ♪ ♪ No time like now ♪ ♪ You bring the attitude ♪ ♪ Baby, I'll show you how ♪ ♪ Anytime you're ready ♪ ♪ Any old time at all ♪ ♪ You can just come on over, girl ♪ ♪ You don't even have to call ♪ ♪ ♪ Oh, you got an open invitation ♪ ♪ ♪ On that you can rely ♪ ♪ ♪ Prepaid reservation ♪ ♪ ♪ Only way to fly ♪ ♪ ♪ ♪ ♪ Anytime you're ready ♪ ♪ Oh, any old time at all ♪ ♪ You can just come on over, girl ♪ ♪ You don't even have to call ♪ ♪ You got an open invitation ♪ ♪ ♪ On that you can rely ♪ ♪ ♪ Prepaid reservation ♪ ♪ ♪ Only way to fly ♪ ♪ ♪ ♪ ♪ ♪ ♪ (crowd cheering and applauding) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide, hey, shango loro ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (vocalizing in Spanish) ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ ♪ ♪ Oba cide shango loro ♪ ♪ Oba cide ♪ (crowd cheering and applauding) (thunder rumbling) CARLOS SANTANA: When people really get together, especially now from all o- all over the world, to celebrate collective commonality.

You know, God bless Steve Wozniak, and I hope- I hope he puts another one and he keeps doin' it because that is the way to get rid of the Berlin Walls.

I can say this with clarity and confidence and assurance, not arrogance.

Out of all the bands, this is the band that's gonna play better than the first time with more energy.

We're gonna stay in the ring, and we're gonna knock you out.

We're- we're ready, you know.

I- I- I believe so much that it's needed right now with everything that's happening with- around the world, to dismantle fear, you know.

Us equals joy, transmogrifies fear.

Let's do it.

(hand slaps) ♪ ♪